by Rosalind Gill

About Rosalind Gill

Rosalind Gill is Professor of Social and Cultural Analysis at City University London. She is the author or editor of several books, including Gender and the Media, New Femininities: Postfeminism, Neoliberalism and Subjectivity, and Mediated Intimacy: Sex Advice in Media Culture. Her latest collection (with Ana Sofia Elias and Christina Scharff) is Aesthetic Labour: Rethinking Beauty Politics in Neoliberalism.

Gender

Looking back from the vantage point of the twenty-first century, early analysis of gender and media is notable for the extraordinary confidence of the analyses produced. Reviewing a decade of studies in the late 1970s, Gaye Tuchman (1978b) unequivocally titled her article “The Symbolic Annihilation of Women by the Mass Media” and wrote of how women were being destroyed by a combination of “absence,” “trivialization,” and “condemnation.” Such clear evaluations were not unique and were often accompanied by similarly robust calls to action—whether voiced as demands for more women in the industry, campaigns for “positive images,” or “guerrilla interventions” into billboard advertisements. Writing about this period of research on gender and the media, Angela McRobbie (1999) characterized it as one of “angry repudiation.”