by Osvaldo Oyola

about Osvaldo Oyola

Dr. Osvaldo Oyola is a public scholar, editor, and member of the International Comic Arts Forum executive board. His work has appeared in the Los Angeles Review of Books, Shelfdust, and Apex Magazine, and he has a chapter in the forthcoming Unstable Masks: Whiteness and American Superhero Comics. He is the first winner of the Gilbert Seldes Prize for Public Scholarship, awarded by the Comics Studies Society.

Seriality

In the realm of comics, seriality is easily understood as stories published in installments or successive parts arranged in a series—an approach common to television shows, films, and Victorian novels. This sequential accretion of issues and volumes of particular series of comic books or strips (especially in, but not limited to, superhero story publication), however, highlights the complex range of possibilities that exist for ordering and understanding the narratives broken up and reimagined along that sequence. Seriality has four primary aspects that pervade comics and that can be put to use in conceptualizing how they are organized, arranged, and understood. These include how seriality influences the shape of the narrative, its relation to capital and industrial production, the “openness” of a serial format that fosters ongoing reader engagement, and seriality as a metanarrative, or overarching long-form account, of the publishing history of a title or character. First, seriality shapes the ongoing narrative. The experience of reading a serialized comic varies depending on the style and frequency of the gap between individual issues or strips and how that organizes the individual stories or portions of stories present in each of those installments. These styles can be categorized as “continuing, cliffhanging, episodic,...