by Lisa Kahaleole Hall

About Lisa Kahaleole Hall

Lisa Kahaleole Hall (she/her) is a multiracial Kānaka Maoli Associate Professor and Director of Indigenous Studies at the University of Victoria. She is the author of “More Than ‘Two Worlds:’ Black Feminist Theories of Difference in Relation” in Critical Ethnic Studies and “Indigenous Women in Print,” forthcoming in The Routledge Handbook of Critical Indigenous Studies.

Difference

In the United States, the most complex and grounded analyses of difference have directly arisen from the political and intellectual labor of those who identify themselves as part of woman of color feminism and/or Black feminist traditions. Poet Audre Lorde has been the key architect of theorizing difference as a permanent and endemic dynamic that is commonly ignored or suppressed but that holds the possibility of creative inspiration and growth through friction. The central theme of Lorde’s lifework was to examine the creative power of difference in relation to the absolute necessity of examining the specific conditions of our lives in the service of growth and change. In her essay “Age, Race, Class and Sex,” first given as a speech at Amherst College in 1980 (and later published in her collection Sister Outsider), she insists that “advocating the mere tolerance of difference between women is the grossest reformism. It is a total denial of the creative function of difference in our lives. Difference must be not merely tolerated, but seen as a fund of necessary polarities between which our creativity can spark like a dialectic. Only then does the necessity for interdependency become unthreatening” ([1984] 2007a, 99). In 1981, the anthology published through grassroots feminist presses, This Bridge Called My Back: Writings by Radical Women of Color, powerfully named the multiple contradictions that those who are erased from binary narratives of political struggle are forced to constantly reckon with. The anthology formed a creation story of the category “women of color” with its construction of community through shared and unshared difference, solidarity, and contradiction. Contrary to the assumption of a naturalized identity, the category asserted as a political choice to link with other Others. The work that co-editors Cherríe Moraga and Gloria Anzaldúa brought together articulated new understandings of pervasive forms of multiple marginalization as well as expressions of spiritual, creative, and intellectual resistance to those violences.