by Lisa Henderson

about Lisa Henderson

Lisa Henderson is Professor of Communication at the University of Massachusetts at Amherst. Her most recent book is Love and Money: Queers, Class and Cultural Production, and her current work is on collaboration between scholars and artists.

Representation

People communicate through symbols, like words or images, that stand for other things. This “standing for” is what communication scholars call representation. Classical definitions of representation emphasize two facets: political (as in elected representatives) and symbolic. These facets cannot be separated in practice, as each embodies the other. In media studies, political representation leads to studies of campaign messages and outcomes, and the media’s role in political socialization, or how we come to think about the political sphere more generally. Symbolic representation, as a broader practice of _standing for_ across media and genres, is central to media studies as a whole. In this broader sense, representation is an achievement of language and other symbolic forms, especially visual images and nonverbal sounds, styles, and gestures. Symbolic forms stand for other things. The word “tree” stands for the tall, erect, natural form with trunks, branches, and leaves. Participants in a native language, especially those considered “neurotypical,” fuse the word and the object it conjures to create the mental concept “tree.” (This is a process best understood by the field of _semiotics_ [see Bignell 2002].) We do this over and over again, learning to use language to represent our reality, from cells to...