by Kathleen Woodward

About Kathleen Woodward

Kathleen Woodward is the Lockwood Professor in the Humanities and a professor of English at the University of Washington, where she directs the Simpson Center for the Humanities. She is the author of Statistical Panic: Cultural Politics and Poetics of the Emotions.

Aging

The biological process of growing older, human aging is almost always accompanied by limitations in physical capacities and, in many cases, diminution of mental acuity. In addition, aging is, like disability, both a biological and a cultural phenomenon that is inflected decisively by the social, legal, medical, statistical, and experiential meanings given to it. For example, old age may be defined by a society in chronological terms (in the United States, ages sixty-two and sixty-five mark eligibility for Social Security) and individually in psychological terms (someone may be seventy-five years old and “feel” fifty). In the United States and many other industrialized nations, aging, as Susan Wendell (1999, 133) has written, is disabling. Aging is invoked rhetorically—at times ominously—as a pressing reason why disability should be of crucial interest to all of us (we are all getting older, we will all be disabled eventually), thereby inadvertently reinforcing the damaging and dominant stereotype of aging as solely an experience of decline and deterioration (Davis 2002; Garland-Thomson 2005; Stiker 1999). But little sustained attention has been given to the imbrication of aging and disability (for exceptions to this rule, see Wendell 1996; Silvers 1999; Kontos 2003). Aging is not—yet—a keyword in disability studies.

Emotion

The word emotion belongs to a constellation of overlapping terms under the general category of feeling, including affect, mood, sensation, and the passions as well as emotion. Emotion is psychological and social, emphasizing the subjectivity associated with inner life (examples include love and hate, shame and guilt, and hope and despair), while affect is a precognitive capacity emerging in large part from sensory experience and the effect that bodies have in relation to one another (a philosophical term, affect was articulated by philosophers Baruch Spinoza and Gilles Deleuze and has recently been elaborated by Brian Massumi). Seldom invoked today, passion was used before the mid-eighteenth century to describe the strong emotions—wonder and anger among them. While emotion is the term commonly accepted today by the general public, affect is most in favor in scholarly circles where many understand it to carry the potential for social change.