by José Quiroga

About José Quiroga

José Quiroga is Professor of Spanish and Comparative Literature at Emory University. His most recent book is Mapa callejero: Crónicas sobre lo gay desde América Latina.

Exile

“Exile” names a condition as it has been inflicted upon subjects (exiles) by some form of state bureaucracy giving itself the power to allow, deny, or otherwise define life, movement, and being. As a condition, its essence is narrative: there is a before and after the exiled subject came to be. Temporality is also intrinsic to the term when it refers to a subject, for it describes a timeless waiting for a resolution that will end the state that it names. Anchored to its context because of its decisively political nature, “exile” refers to culture and society but it also resonates (perhaps from the onset) as a religious term: a profoundly unnatural state that separates human beings from all other sentient creatures and that became—at least since European Enlightenment philosophy and then Romantic aesthetics reflected on its implications—one of the defining elements for modern thought. Arguably, some notion related to what we now call “exile” was constitutive to the social lives of Indigenous populations of the Americas, though the “castaway” or the “banished” who appear in many surviving pre-Columbian accounts may not have always been exactly a political subject in the modern sense of the term. It is clear that the establishment or consequent abandoning of Mayan or Aztec urban centers involved some idea of wandering and return; this is evident in the Popul Vuh, and also embedded onto the notion of Aztlán as originary site, or the founding of Tenochtitlán as preordained city-state, or of political narratives such as that of Quetzalcoatl’s departure and future return. We could call these “exilic narratives,” though the precise understanding of the concept for us is inevitably occluded by these cultures’ forceful encounter with Europeans. While exile also appears in African religious thought brought onto the Americas, the horrors of enslavement, forced dislocation, and uprootedness were key elements for much of the exilic content of African American poetics, religion, and aesthetics, as these were understood and practiced by women and men in the various sites to which they were forcibly displaced.