by Cáel M. Keegan
about Cáel M. Keegan
Cáel M. Keegan is Assistant Professor of Women, Gender, and Sexuality Studies and Integrative, Religious, and Intercultural Studies at Grand Valley State University. He is the author of Lana and Lilly Wachowski: Sensing Transgender and a co-editor of Somatechnics 8.1, “Cinematic Bodies.” His writing has also appeared in Genders, Queer Studies in Media and Popular Culture, Transgender Studies Quarterly, Mediekultur, Spectator, and Journal of Homosexuality.
Trans-/*
Signifying the complex of identifications and theorizations arising from transgender life, _trans-/\*_ is a hybrid formation with an uncertain and largely unexplored relation to comics. The identifying prefix _trans_ has been attached to the practices and identities of various sex and gender minority groups since the early 1960s: past usages include _transvestite_, _transsexual_, and _transgenderist_ (Rawson and Williams 2014). Since the 1990s, it has been more commonly affixed to _gender_ to form _transgender_—an umbrella term that now categorizes gender nonconforming identities largely outside the framework of sexuality (Feinberg 1998; Love 2014; Valentine 2007). Today, the term _trans_ is often used as shorthand to collect together various forms of gender nonconforming behavior and identification, while the terms _trans-_ and _trans\*_ are used to describe modes of theorization and inquiry grounded in transgender knowledges and cultural praxes (Stryker, Currah, and Moore 2008; Hayward and Weinstein 2015). Due to the relatively recent appearance of _transgender_ as an identificatory term, trans comics have been largely indistinguishable from queer comics, which currently constitute one of the fastest-growing areas of comics production and study (Chute 2017, 349). However, this queer wave has not yet given much attention to the relevant specificities of trans comics authorship and...