Works Cited on Technology
Go to all works cited on Keywords for American Cultural Studies
Ang, Ien, and Nayantara Pothen. “Between Promise and Practice: Web 2.0, Intercultural Dialogue and Digital Scholarship.” Fibreculture Journal 14 (2009). http://fourteen.fibreculturejournal.org/fcj-094-between-promise-and-practice-web-2-0-intercultural-dialogue-and-digital-scholarship/.
Anthropy, Anna. Rise of the Videogame Zinesters: How Freaks, Normals, Amateurs, Artists, Dreamers, Drop-Outs, Queers, Housewives, and People Like You Are Taking Back an Art Form. New York: Seven Stories, 2012.
Armstrong, Tim. Modernism, Technology, and the Body: A Cultural Study. Cambridge: Cambridge University Press, 1998.
Arnold, Matthew. “Literature and Science.” 1882. Discourses in America. London: Macmillan, 1885. 72-137.
Babbage, Charles. On the Economy of Machinery and Manufactures. Philadelphia: Carey and Lea, 1832.
Balsamo, Anne. Technologies of the Gendered Body: Reading Cyborg Women. Durham: Duke University Press, 1996.
Barlow, John Perry. “A Declaration of the Independence of Cyberspace.” 1996. Crypto Anarchy, Cyberstates, and Pirate Utopias. Ed. Peter Ludlow. Cambridge: MIT Press, 2001. 27-30.
Beller, Jonathan. The Cinematic Mode of Production: Attention Economy and the Society of the Spectacle. Lebanon, NH: Dartmouth University Press, 2006.
Benjamin, Walter. “The Work of Art in the Age of Mechanical Reproduction.” 1936. Illuminations: Essays and Reflections. Ed. Hannah Arendt. Trans. Harry Zohn. New York: Schocken Books, 1968. 217-51.
Benjamin, Walter. “The Work of Art in the Age of Mechanical Reproduction.” 1936. Illuminations: Essays and Reflections. Ed. Hannah Arendt. Trans. Harry Zohn. New York: Schocken Books, 1968. 217-51.
Bentham, Jeremy. Rationale of Judicial Evidence: Specially Applied to English Practice. London: Hunt and Clarke, 1827.
Bogost, Ian. Persuasive Games: The Expressive Power of Videogames. Cambridge: MIT Press, 2007.
Bowker, Geoffrey C., and Susan Leigh Star. Sorting Things Out: Classification and Its Consequences. Cambridge: MIT Press, 1999.
Braverman, Harry. Labor and Monopoly Capital: The Degradation of Work in the Twentieth Century. 1974. New York: Monthly Review Press, 1998.
Browne, Simone. “Digital Epidermalization: Race, Identity and Biometrics.” Critical Sociology 36 (January 2010): 131-50.
Burton, Richard Francis. A Mission to Gelele, King of Dahome. Vol. 2. London: Tinsley Brothers, 1864.
Burton, Richard Francis. A Mission to Gelele, King of Dahome. Vol. 2. London: Tinsley Brothers, 1864.
Carlyle, Thomas. The History of Friedrich II of Prussia, Called Frederick the Great. Vol. 1. London: Chapman and Hall, 1858.
Casaubon, Isaac. The Ansvvere of Master Isaac Casaubon to the Epistle of the Most Reuerend Cardinall Peron: Translated out of Latin into English. London: Felix Kyngston, 1612.
Chang, Edmond Y. “Gaming as Writing, or, World of Warcraft as World of Wordcraft.” Computers and Composition Online, August-September 2008. http://www2.bgsu.edu/departments/english/cconline/gaming_issue_2008/Chang_Gaming_as_writing/index.html.
Chun, Wendy Hui Kyong. Control and Freedom: Power and Paranoia in the Age of Fiber Optics. Cambridge: MIT Press, 2006.
Chun, Wendy Hui Kyong. Programmed Visions: Software and Memory. Cambridge: MIT Press, 2011.
Chun, Wendy Hui Kyong. Programmed Visions: Software and Memory. Cambridge: MIT Press, 2011.
Cong-Huyen, Anne. “‘Dark Mass,’ or the Problems with Creative Cloud Labor.” E-Media Studies 3.1 (2013). http://journals.dartmouth.edu/cgi-bin/WebObjects/Journals.woa/1/xmlpage/4/article/427.
Cárdenas, Micha. The Transreal: Political Aesthetics of Crossing Realities. New York: Atropos, 2012.
Daniel, Sharon, and Erik Loyer. “Public Secrets.” Vectors 2.2 (Winter 2007). http://vectorsjournal.org/projects/index.php?project=57.
Davidson, Cathy N. “Humanities 2.0: Promise, Perils, Predictions.” PMLA 123.3 (May 2008): 707-17.
Dyer-Witheford, Nick. Cyber-Marx: Cycles and Circuits of Struggle in High-Technology Capitalism. Urbana: University of Illinois Press, 1999.
Feenberg, Andrew. Questioning Technology. New York: Routledge, 1999.
Foster, Thomas. The Souls of Cyberfolk: Posthumanism as Vernacular Theory. Minneapolis: University of Minnesota Press, 2005.
Fuller, Matthew. Media Ecologies: Materialist Energies in Art and Technoculture. Cambridge: MIT Press, 2005.
Galloway, Alex. Gaming: Essays on Algorithmic Culture. Minneapolis: University of Minnesota Press, 2006.
Galloway, Alex. Protocol: How Control Exists after Decentralization. Cambridge: MIT Press, 2004.
Galloway, Alex. Protocol: How Control Exists after Decentralization. Cambridge: MIT Press, 2004.
Gibson, William. “Burning Chrome.” OMNI, July 1982, 72-77, 102-4.
Gitelman, Lisa. Always Already New: Media, History, and the Data of Culture. Cambridge: MIT Press, 2006.
Goldberg, David Theo, and Richard Marciano. “T-RACES: Testbed for the Redlining Archives of California’s Exclusionary Spaces.” Vectors 3.2 (Summer 2012). http://vectors.usc.edu/projects/index.php?project=93.
Hansen, Miriam. Cinema and Experience: Siegfried Kracauer, Walter Benjamin, and Theodor W. Adorno. Berkeley: University of California Press, 2011.
Hanway, Jonas. An Historical Account of the British Trade over the Caspian Sea. London, 1753.
Haraway, Donna. “A Cyborg Manifesto: Science, Technology, and Socialist-Feminism in the Late Twentieth Century.” Socialist Review 80 (1985): 65-108.
Haraway, Donna. “A Cyborg Manifesto: Science, Technology, and Socialist-Feminism in the Late Twentieth Century.” Socialist Review 80 (1985): 65-108.
Hayles, Katherine N. How We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and Informatics. Chicago: University of Chicago Press, 1999.
Heidegger, Martin. “The Question Concerning Technology.” 1977. Basic Writings. Ed. David Farrell Krell. New York: Harper, 1993. 307-42.
Hertz, Garnet. “Dead Media Research Lab.” Concept Lab, 2009. http://www.conceptlab.com/deadmedia/.
Horkheimer, Max, and Theodor W. Adorno. Dialectic of Enlightenment: Philosophical Fragments. 1944. Ed. Gunzelin Schmid Noerr. Trans. Edmund Jephcott. Stanford: Stanford University Press, 2002.
Horne, T. H. Outlines for the Classification of a Library. London: Woodfall and Court, 1825.
Ihde, Don. Technology and the Lifeworld: From Garden to Earth. Bloomington: Indiana University Press, 1990.
Juhasz, Alexandra. Learning from YouTube. Cambridge: MIT Press, 2011.
Kirschenbaum, Matthew G. Mechanisms: New Media and the Forensic Imagination. Cambridge: MIT Press, 2008.
Kittler, Friedrich A. Gramophone, Film, Typewriter. Trans. Geoffrey Winthrop-Young and Michael Wutz. Stanford: Stanford University Press, 1999.
Klein, Lisl. The Meaning of Work: Papers on Work Organization and the Design of Jobs. London: Karnac Books, 2008.
Kracauer, Siegfried. Theory of Film: The Redemption of Physical Reality. 1960. Princeton: Princeton University Press, 1997.
Latour, Bruno. Science in Action: How to Follow Scientists and Engineers through Society. Cambridge: Harvard University Press, 1987.
Losh, Elizabeth. “Hacktivism and the Humanities: Programming Protest in the Era of the Digital University.” Debates in the Digital Humanities. Ed. Matthew K. Gold. Minneapolis: University of Minnesota Press, 2012. 161-86.
Lothian, Alexis, and Amanda Phillips. “Can Digital Humanities Mean Transformative Critique?” E-Media Studies 3.1 (2013). http://journals.dartmouth.edu/cgi-bin/WebObjects/Journals.woa/1/xmlpage/4/article/425.
Mactavish, Andrew, and Geoffrey Rockwell. “Multimedia Education in the Arts and Humanities.” Mind Technologies: Humanities Computing and the Canadian Academic Community. Ed. Raymond Siemens and David Moorman. Calgary: University of Calgary Press, 2006. 225-43.
Marcuse, Herbert. One-Dimensional Man: Studies in the Ideology of Advanced Industrial Society. 1964. New York: Routledge, 2002.
Marinetti, F. T. “The Foundation and Manifesto of Futurism.” 1909. Critical Writings: F. T. Marinetti. Ed. Günter Berghaus. New York: Farrar, Straus and Giroux, 2006. 11-17.
Marx, Karl. Capital. 1867-94. 3 vols. Trans. Ben Fowkes and David Fernbach. New York: Vintage, 1976-81.
McLuhan, Marshall. Understanding Media: The Extensions of Man. 1964. Ed. W. Terrence Gordon. Corte Madera, CA: Gingko, 2003.
McPherson, Tara. “Media Studies and the Digital Humanities.” Cinema Journal 48.2 (Winter 2009): 119-23.
McPherson, Tara. “U.S. Operating Systems at Mid-century: The Intertwining of Race and UNIX.” Race after the Internet. Ed. Lisa Nakamura, Peter Chow-White, and Alondra Nelson. New York: Routledge, 2012a. 21-37.
Nakamura, Lisa. Cybertypes: Race, Ethnicity, and Identity on the Internet. New York: Routledge, 2002.
Nakamura, Lisa. Digitizing Race: Visual Cultures of the Internet. Minneapolis: Minnesota University Press, 2008.
Noble, David F. America by Design: Science, Technology, and the Rise of Corporate Capitalism. New York: Knopf, 1977.
Noble, David F. Progress without People: New Technology, Unemployment, and the Message of Resistance. Toronto: Between the Lines, 1995.
Norman, Donald A. The Invisible Computer: Why Good Products Can Fail, the Personal Computer Is So Complex, and Information Appliances Are the Solution. Cambridge: MIT Press, 1998.
Postman, Neil. Technopoly: The Surrender of Culture to Technology. New York: Vintage, 1993.
Ratto, Matt. “Critical Making: Conceptual and Material Studies in Technology and Social Life.” Information Society 27.4 (2011): 252-60.
Rodgers, Tara. Pink Noises: Women on Electronic Music and Sound. Durham: Duke University Press, 2010.
Ross, Andrew. “Hacking Away at the Counterculture.” Postmodern Culture 1.1 (September 1990). http://pmc.iath.virginia.edu/text-only/issue.990/ross-1.990 and http://pmc.iath.virginia.edu/text-only/issue.990/ross-2.990.
Ross, Andrew. “Hacking Away at the Counterculture.” Postmodern Culture 1.1 (September 1990). http://pmc.iath.virginia.edu/text-only/issue.990/ross-1.990 and http://pmc.iath.virginia.edu/text-only/issue.990/ross-2.990.
Ross, Andrew. “Hacking Away at the Counterculture.” Postmodern Culture 1.1 (September 1990). http://pmc.iath.virginia.edu/text-only/issue.990/ross-1.990 and http://pmc.iath.virginia.edu/text-only/issue.990/ross-2.990.
Sayers, Jentery. “Tinker-centric Pedagogy in Literature and Language Classrooms.” Collaborative Approaches to the Digital in English Studies. Ed. Laura McGrath. Logan: Utah State University Press, 2011. 279-300.
Sterne, Jonathan. The Audible Past: Cultural Origins of Sound Reproduction. Durham: Duke University Press, 2003.
Stone, Allucquère Rosanne. The War of Desire and Technology at the Close of the Mechanical Age. Cambridge: MIT Press, 1996.
Sutherland, William. Britain’s Glory; or, Ship-Building Unvail’d, Being a General Director, for Building and Compleating the Said Machines. London, 1717.
Taylor, Frederick Winslow. The Principles of Scientific Management. 1911. New York: Cosimo, 2010.
Triumph of the Will. Dir. Leni Riefenstahl. Leni Riefenstahl-Produktion/Reichspropagandaleitung der NSDAP, 1935.
Vaidhyanathan, Siva. The Googlization of Everything (and Why We Should Worry). Berkeley: University of California Press, 2011.
Wajcman, Judy. Feminism Confronts Technology. Cambridge, UK: Polity, 1991.
Wark, McKenzie. A Hacker Manifesto. Cambridge: Harvard University Press, 2004.
Weiser, Mark. “The Computer for the 21st Century.” Scientific American, September 1991, 78-89.
Williams, Raymond. Keywords: A Vocabulary of Culture and Society. 1976. London: Fontana; New York: Oxford University Press, 1983.
Wilson, George. What Is Technology? An Inaugural Lecture Delivered in the University of Edinburgh. Edinburgh: Sutherland and Knox, 1855.
Wilson, George. What Is Technology? An Inaugural Lecture Delivered in the University of Edinburgh. Edinburgh: Sutherland and Knox, 1855.
Women Who Rock. Women Who Rock: Making Scenes, Building Communities. University of Washington Libraries, Seattle, 2012. http://womenwhorockcommunity.org/.
Zimmermann, Eberhard August Wilhelm von. A Political Survey of the Present State of Europe. London, 1787.