Works Cited on Sound

Go to all works cited on Keywords for American Cultural Studies

Attali, Jacques. Noise: The Political Economy of Music. Minneapolis: University of Minnesota Press, 1985.

Attali, Jacques. Noise: The Political Economy of Music. Minneapolis: University of Minnesota Press, 1985.

Bailey, Peter. “Breaking the Sound Barrier.” Hearing History: A Reader. Ed. Mark M. Smith. Athens: University of Georgia Press, 2004. 23-35.

Baker, Houston, Jr. Modernism and the Harlem Renaissance. Chicago: University of Chicago Press, 1987b.

Bijsterveld, Karin. Mechanical Sound: Technology, Culture, and Public Problems of Noise in the Twentieth Century. Cambridge: MIT Press, 2008.

Bijsterveld, Karin. Mechanical Sound: Technology, Culture, and Public Problems of Noise in the Twentieth Century. Cambridge: MIT Press, 2008.

Brady, Erika. A Spiral Way: How the Phonograph Changed Ethnography. Jackson: University Press of Mississippi, 2009.

Brown, Kathleen M. Good Wives, Nasty Wenches, and Anxious Patriarchs: Gender, Race, and Power in Colonial Virginia. Chapel Hill: University of North Carolina Press, 1996.

DuBois, W. E.B. The Souls of Black Folk. 1903. Ed. David W. Blight and Robert Gooding-Williams. New York: Bedford Books, 1997.

Eidsheim, Nina Sun. “Marian Anderson and ‘Sonic Blackness’ in American Opera.” Sound Clash: Listening to American Studies. Ed. Kara Keeling and Josh Kun. Baltimore: John Hopkins University Press, 2011. 197-228.

Erlmann, Viet, ed. Hearing Cultures: Essays on Sound, Listening, and Modernity. Oxford, UK: Berg, 2004.

Feld, Steven. “A Rainforest Acoustemology.” The Auditory Culture Reader. Ed. Michael Bull and Les Back. New York: Berg, 2003. 223-40.

Fliegelman, Jay. Declaring Independence: Jefferson, Natural Language, and the Culture of Performance. Stanford: Stanford University Press, 1993.

Hilmes, Michele. “Is There a Field Called Sound Culture Studies? And Does It Matter?” American Quarterly 57.1 (2005): 249-59.

Hirschkind, Charles. The Ethical Soundscape: Cassette Sermons and Islamic Counterpublics. New York: Columbia University Press, 2006.

Howes, David, ed. Empire of the Senses: The Sensual Culture Reader. Oxford, UK: Berg, 2005.

Jay, Martin. Downcast Eyes: The Denigration of Vision in Twentieth-Century French Thought. Berkeley: University of California Press, 1994.

Karpf, Anne. The Human Voice. London: Bloomsbury, 2006.

Keeling, Kara, and Josh Kun, eds. Sound Clash: Listening to American Studies. Baltimore: John Hopkins University Press, 2011.

Koestenbaum, Wayne. The Queen’s Throat: Opera, Homosexuality, and the Mystery of Desire. 1994. Cambridge, MA: Da Capo, 2001.

Kun, Josh. Audiotopia: Music, Race, and America. Berkeley: University of California Press, 2005.

LaBelle, Brandon. Acoustic Territories: Sound Culture and Everyday Life. London: Continuum, 2010.

Lacey, Kate. Listening Publics: The Politics and Experience of Listening in the Media Age. Cambridge, UK: Polity, 2013.

Lipsitz, George. “Listening to Learn and Learning to Listen: Popular Culture, Cultural Theory, and American Studies.” American Quarterly 42.4 (1990a): 615-36.

Lott, Eric. “Back Door Man: Howlin’ Wolf and the Sound of Jim Crow.” Sound Clash: Listening to American Studies. Ed. Kara Keeling and Josh Kun. Baltimore: Johns Hopkins University Press, 2011. 253-66.

Marx, Leo. The Machine in the Garden: Technology and the Pastoral Ideal in America. 1964. New York: Oxford University Press, 2000.

Norton, Mary Beth. Founding Mothers and Fathers: Gendered Power and the Formation of American Society. New York: Knopf, 1996.

Radano, Ronald, and Philip V. Bohlman. Music and the Racial Imagination. Chicago: University of Chicago Press, 2000.

Rodgers, Tara. Pink Noises: Women on Electronic Music and Sound. Durham: Duke University Press, 2010.

Schafer, R. Murray. The Soundscape: Our Sonic Environment and the Tuning of the World. New York: Knopf, 1977.

Schmidt, Leigh Eric. Hearing Things: Religion, Illusion, and the American Enlightenment. Cambridge: Cambridge University Press, 2000.

Smith, Mark M. “Listening to the Heard Worlds of Antebellum America.” Journal of the Historical Society 1 (June 2000): 63-97.

Stadler, Gustavus. “Introduction: Breaking Sound Barriers.” Social Text 28.1 102 (2010): 1-12.

Stanley, Sara G. “What, to the Toiling Millions There, Is This Boasted Liberty?” 1860. Lift Every Voice: African American Oratory, 1787-1900. Ed. Philip Foner and Robert James Branham. Tuscaloosa: University of Alabama Press, 1997. 284-87.

Sterne, Jonathan. The Audible Past: Cultural Origins of Sound Reproduction. Durham: Duke University Press, 2003.

Sterne, Jonathan. The Audible Past: Cultural Origins of Sound Reproduction. Durham: Duke University Press, 2003.

Sterne, Jonathan. The Audible Past: Cultural Origins of Sound Reproduction. Durham: Duke University Press, 2003.

Stoever-Ackerman, Jennifer. “Splicing the Sonic Color-Line: Tony Schwartz Remixes Postwar Nueva York.” Social Text 28.1 102 (2010): 59-85.

Suisman, David, and Susan Strasser, eds. Sound in the Age of Mechanical Reproduction. Philadelphia: University of Pennsylvania Press, 2009.

Tahmahkera, Dustin. “‘An Indian in a White Man’s Camp’: Johnny Cash’s Indian Country Music.” Sound Clash: Listening to American Studies. Ed. Kara Keeling and Josh Kun. Baltimore: Johns Hopkins University Press, 2011. 147-74.

Thompson, Emily. The Soundscape of Modernity: Architectural Acoustics and the Culture of Listening in America, 1900-1933. Cambridge: MIT Press, 2004.

Thoreau, Henry David. Walden; or, Life in the Woods. 1854. Walden and Civil Disobedience. Ed. Owen Thomas. New York: Norton, 1966. 2-275.

Thoreau, Henry David. Walden; or, Life in the Woods. 1854. Walden and Civil Disobedience. Ed. Owen Thomas. New York: Norton, 1966. 2-275.

Truax, Barry. Acoustic Communication. Norwood, NJ: Ablex, 1984.

Vaillant, Derek W. “Sounds of Whiteness: Local Radio, Racial Formation, and Public Culture in Chicago, 1921-1935.” American Quarterly 54.1 (2002): 25-66.

Whitman, Walt. Leaves of Grass. 1855. Ed. Harold W. Blodgett and Sculley Bradley. New York: NYU Press, 1965.